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Kristin Scott Thomas was born in 1960 in Redruth, Cornwall. She gained international fame in the 1990s for her roles in the British classic comedy 'Four Weddings and a Funeral' (1994) and her intense performance in Anthony Minghella's 'The English Patient' (1996). Thomas, who is fluent French speaker, has been a prominent figure in French cinema, starring in films such as the immensely popular 'I've Loved You So Long' (2008).
Toni Servillo, born in 1959, has been described by Italian Vogue as 'the most versatile actor in the history of Italian cinema'. In 1977 he founded a theatre company, where he spent the next three decades working with many renowned directors. He made his feature film debut in his forties, in Paolo Sorrentino's 'One Man Up' (2001). Since then, he has collaborated on many Sorrentino films, including the Oscar winning 'The Great Beauty' (2013).
She was one of the most iconic faces of the 1990s, first thanks to her breakthrough role in 'Kids' (1995), her appearance in the music video for Sonic Youth’s ‘Sugar Kane’ and the seven-page article novelist Jay McInerney wrote about her for The New Yorker. Her screen debut in Larry Clark’s controversial portrait of disaffected youth came through a burgeoning friendship – later a relationship – with the film’s screenwriter Harmony Korine. She is the film’s heart and soul. Roles in 'Trees Lounge' (1996), 'Gummo' (1997) and 'The Last Days of Disco' (1998) cemented her reputation. She gave her most complex performance to date in 'Boys Don’t Cry' (1999), an exploration of gender identity that would be echoed in the 2012 TV drama 'Hit & Miss'. She steals one of the best scenes in 'American Psycho' (2000) and over the course of the subsequent decade proves her versatility. She makes 'The Brown Bunny' (2003) watchable – the dubious felatio scene notwithstanding. She is one of the wives in the smart, satirical 'Big Love' (2006-11), has featured in the acclaimed series 'Portlandia' (2013), 'The Mindy Project' (2013), 'American Horror Story' (2012-16) and 'Bloodline' (2015-16). She also re-teamed with 'The Last Days of Disco' star Kate Beckinsale and director Whit Stillman for 'Love & Friendship' (2016), an hilarious adaptation of Jane Austen’s posthumously published epistolary novel ‘Lady Susan’.
Son of legendary Swedish actor Stellan Skarsgård, Alexander was a TV star in his native Sweden at the age of 13, however he gave up acting for seven years following this role. After returning to acting he was awarded the role of Meekus in ‘Zoolander’ (2001) and has since starred on TV in ‘True Blood’ (2008) and in such films as ‘Melancholia’ (2011), ‘The Diary of a Teenage Girl’ (2015) and the titular Tarzan in ‘The Legend of Tarzan’ (2016).
Stellan Skarsgård is one of the most prominent and well-respected film actors to have emerged from Sweden. Born in 1951, Stellan became a teen star in his native country and later spent many years at Stockholm's Royal Dramatic Theatre. His frequent collaborations with Lars von Trier granted him international recognition, appearing in films such as 'Breaking the Waves' (1996), 'Dancer in the Dark' (2000) and 'Melancholia' (2012).
Born in Kentucky, USA in 1926, Harry Dean Stanton is a prolific actor who has appeared in over 100 films in the course of his lifetime. His breakthrough performance came in ‘Cool Hand Luke’ (1967). He has since worked with directors such as Ridley Scott on 'Alien' (1979), Wim Wenders in what is often noted to be his finest role in ‘Paris, Texas’ (1984), and a number of David Lynch films.
Kristen Stewart began young. Aged 12, she was Jodi Foster's asthmatic daughter in 'Panic Room' (2002). She impressed in David Gordon Green's 'Undertow' (2004) and entertained in 'Zathura: A Space Adventure' (2005). The 'Twilight' series (2008-12) made her a global star and 'Snow White and the Huntsman' cemented her mainstream appeal, but her choices show that blockbusters are hardly likely to dominate her work. She brought offset appeal to her res in 'Adventureland' (2009), 'The Runaways' (2010) and 'On the Road' (2012). 'Camp X-Ray' (2014) may not have convinced but the film shoed Stewart's willingness to embrace more challenging material. She played a little too much to type in 'Still Alice', while her collaboration with Olivier Assayas on 'Clouds of Sils Maria' (2014) and 'Personal Shopper' (2016) show just how good she can be. She was magnetic in Woody Allen's otherwise average 'Café Society' and sparred beautifully with Lily Gladstone in Kelly Reichardt's 'Certain Women' (both 2016).